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Let There Be Light (Part 3)

from rockpseudo by Tzytz

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www.youtube.com/watch?v=F6AzhaLHnOc

And again I return to my last topic from the album "Let There Be Light" created based on the story of my friend. There is also the fourth part, probably the final one. In this, the third part, the music got a logical development in the form of a more aggressive sound and rhythm. I believe that this is how the confrontation between two different worlds occurs. Behind the fight follows a relative calm and so on, waves.

Terry Wigmore:
"Glad you wrote an artist comment with some ideas about what you were representing in this composition. Yes, the gritty, grungy, distorted guitars are fine symbols of conflict, biting and clawing their way...not a clean sound, neither is conflict clean (in politics too). To back up a bit, I liked the bends (pitch wheel?) used in the opening minute over the beats and bass thumps. I liked the build and the expectation from 2:20-3m or so...then the big guitar sustain...like the space and pace in this section...followed by a little more energy and determination approaching 4m...nice delays on the lead guitar lines...liked the wide electronica and pads around 4:35 or so...this section expressed more light, though pierced by the guitar strums....sort of like one step forward (to light) and one back (guitar strum takes us back to dark and conflict)...the final gasp of the conflict is the final strum. Lots to imagine in here Valery!"

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from rockpseudo, released July 26, 2021
(2019) For Personal Use

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